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Tuesday, May 11, 2010

Wikipedia Censors Itself Using Fuzzy Justifications. Bad Wikipedia!


I find it fascinating just how sexually repressed some individuals are. That’s their business, of course, and in a free and democratic society we should all have the liberty to indulge in pretty much any kind of sex we like (excepting children and animals), including the right to have no kind of sex at all. That’s your prerogative, and it’s vital to our culture as we evolve away from the horrific repressions of the 19th century and before. If not explicitly stated, then the right to have your own sex life (and everyone has a sex life, even if they don’t have sex) is a core value of a liberal western democracy (which we are, despite the protests of a vocal few to the contrary).

But part and parcel with that right comes the free availability of information – even entertainment. With the internet, you wouldn’t think that would be a problem, especially when it comes to sex – it’s fracking everywhere. Certainly, it’s quite proper to want large portions of the internet to be child-friendly and devoid of overtly sexual material – I’m all in favor of that. Our children have the right to be children. That's why there's a booming industry in internet filtering software for schools, libraries, and computers to which a child might have access, and while they might not be 100% effective, they do a pretty good job of restricting the ability of kids to casually view objectionable content. But when it comes to the public square of information sources, say, a site that specializes in raw information about every conceivable subject like Wikipedia, then going out of your way to eliminate sexuality from your pages (as one of the founders attempted to do by purging thousands of “obscene” images from the site) you are betraying a fundamental principal.

Sex is part of human culture – all human culture – as natural and essential an aspect of life as sleeping and eating. Sex is always there, lurking as a motivator or an oppressive force or an historical role or a complicating factor or a victorious conclusion. And while I understand how certain desert-born mystics, religious monopolies and self-loathing individuals may protest or deny its importance, seeking to eliminate sex – or worse, confine the practice legally and culturally to ritualistic breeding bereft of higher meaning or purpose than procreation – is outrageous in our supposedly enlightened society.

The entire idea of pornography, erotica, sex-education materials and the like is to inform and entertain us. Like Jazz music, there is within Sex the room for both serious academic study and base entertainment. Seeking to further one at the expense of the other serves neither, and is intellectually dishonest. The fact is that pornography, be it a soap opera, a romance novel, or a hardcore POV anal movie, is entertainment as well as an expression of our culture’s collective sexuality.

The key dividing line between the two seems rooted, in some minds, in whether or not the piece in question (film, novel, picture, sculpture, what have you) serves only a “prurient interest” – that is, if it has no “redeeming artistic or educational value”. That is, by necessity, a subjective judgment call, or to famously quote a certain member of the judiciary, “I don’t know if I can define ‘pornography’, but I know it when I see it!”

In other words, the apparent standard for the determination of what is “prurient” and what is “educational or artistic” (the difference between “pornography” and “erotica”) is whether or not you can masturbate to it. And that, I think we can all agree, covers a LOT of territory. I know people who whack off to pictures of boots, for instance – does that make a boot catalog pornographic? If the stated goal of erotica is to stir the erotic imagination, and masturbation is a nearly universal end-result of a freshly-stirred erotic imagination, then does it not follow that what is “prurient” and what is “education or artistic” becomes so subjective that any attempt to make that classification is intellectually dishonest?

Often the argument comes back to “community standards”, but in the global village (doesn’t that sound just so 1996?) of the internet, our community is too broad and too diverse to evolve much of a standard. Indeed, with the near-universal exceptions of kiddie porn and bestiality (and even those are subject to “gray areas” in some jurisdictions) the internet’s “community standard” is pretty much Anything Goes! And since a very healthy chunk of total internet revenues come precisely from the porno realm, it’s pretty clear to most of us that a strong plurality, if not a vast majority, of folks who use the internet and make up its community are indeed expressing their desires when it comes to such fare. The internet is not a haven for prudes – so why should the corporate sponsors of the acknowledged (if inherently flawed) piece of idealism-in-action known as Wikipedia, which prides itself on both its freedom of information and its open-source philosophy, host a myriad of “pornographic” images? That’s not just “what the people want” – it was “the people” who put it there in the first place!

Let me be quite clear: I’m not advocating allowing illegal child pornography on Wikipedia or Wikimedia. Any images which would trip the GS 2257 law (“Child Protection Act”) should rightly be removed and the information associated with them be bumped over to the FBI. But as the law stands, that’s a pretty narrow and sometimes highly subjective call to make. Underwear ads have been deemed “child pornography” in the past. And graphic images, that is, images that were created without involving children, are not covered under 2257. The noble goal of the law was to protect children without impinging unnecessarily on the rights of the greater public. As sick and distasteful as such things as say 19th century watercolors of (currently) underage children engaging in sex are, they are not illegal – and moving from “illegal” to “distasteful” or “prurient” in the editorial scope of a public forum such as Wikipedia is a dangerous slope to navigate.

It’s all too easy in the minds of some, particularly those mentioned in the beginning of this post, to conflate the two to the point where homosexuality, consensual BDSM, or even interracial sex is considered “prurient” enough to be purged. This week it’s historic 19th century watercolors of children having sex with adults, next week it will be hardcore bondage clubs or swinging lifestyle photos, the next week 18th century Japanese woodcuts of lesbian sex, and eventually the desire to conform to “mainstream American” standards in the largest intellectual free-fire zone on the planet will sap it of all its vitality – and any remaining shred of respect in the minds of the vast masturbating public.

So why the purge over at Wikipedia? Is what many have come to regard as the one honest open-source platform for universal human knowledge going to arbitrarily decide which types of sex and pornography are going to “exist” in the encyclopedia-of-record? Or is it going to relent and embrace the 21st century notions of sexuality honestly, without the taint of 19th century-colored glasses?

I know which way I’m leaning.

Thursday, May 6, 2010

Porn Parodies: A Recent History (Part 3 of 3)

Why are porn parodies so darn popular at the moment?

Likely because they present something familiar and comforting to us in trying economic times. Likely because we’ve been jaded by insta-porn and grainy webchat stroke sessions and want to be entertained while we masturbate every now and then. Likely because a higher percentage of women are welcoming some kind of porn into their marriages and relationships, and parodies are less threatening to them. Likely because husbands in America want their wives to watch porn with them and figure parodies are less threatening to their wives. And likely because there’s a whole untapped market of the show’s original fans who will make the porn parody of the show their first – but not last – porn purchase.

Parodies are fun. Fans can watch their favorite characters indulge in the fantasies they constructed for themselves around the original shows. Want to watch Bailey get balled on WKRP? See Scully and Mulder finally hook up on The X Files? Watch Genie give her Master a masterful screw? Watch Lucy take Ricky’s thick Cuban cock in her ass? See the Friends get friendly? Watch Elaine find a dude spongeworthy? All those secret fantasies come to life in porn parody.

Eventually, the cycle will turn and the impetus to make parodies will go back into the closet. Already there are parody “stretches” – including the Who’s Nailin’ Paylin franchise that blew the lid off of the genre most recently. (Sarah Palin is a public figure, after all, not a sit-com. No, really. She isn’t scripted. She doesn’t have a team of writers making up the stuff that comes out of her mouth. Really, I promise. I mean, she can’t, right?) As the “good ones” get taken by various studios, producers are reaching outside of the traditional parody box for material. Consider TMSleaze, a spoof of the celebrity gossip show, or This Ain’t Monday Night Football. (I mean, a sportscast? But it’s got cheerleaders, so I guess it’s okay . . .) They’re spoofing reality shows (This Ain’t Jersey Shore, This Ain’t Hell’s Kitchen, This Ain’t Ghost Hunters) and celebrity scandals (Tiger Woods, Letterman’s Nailin’ Palin) as well as movies and TV shows. And they’re even spoofing movies about people trying to make it big by making a porno parody (Kayden and Rocco Make A Porno).

But there is plenty of fertile territory left out there. Just yesterday I heard that a Gone With The Wind parody is in the works, and one that will make my brother happy, The Big Lebowski. Hustler is ambitiously attempting to make a 3-D Avatar parody. But that brings us to another aspect of this phenomenon: the possibility of “cult” parodies. While Star Trek and X-Files and Friends certainly had their cultish sides, there are plenty of parodies that would attract an instant audience of die-hard fans just for the novelty. The True Blood parody, Tru, was just released and is promising. Fans are dying (and resurrecting) to see the forthcoming Buffy The Vampire Slayer parody from New Sensations.

So how long will I have to wait for a Spartacus: Blood and Sandparody? I’ll even endure (and perhaps secretly enjoy but I’d never admit it) a couple of good openly gay gladiator scenes for the privilege. Hercules and Xena, Warrior Princess are ripe for the plucking, as are cult sci-fi classics like Alien and Blade Runner.

And when will I see a parody of Angel, or, better yet, Firefly/Serenity? It’s got a freaking whore in the cast and everyone looks yummy. There was someone getting laid on that ship nearly every week. I’m sure the loyal Browncoat community would buy it.

Wouldn’t you, guys?

Monday, April 12, 2010

Porn Parodies: A Recent History (Part 2 of 3)




The legal issues, for one thing, are far more clear-cut. Thanks to Larry Flynt’s own landmark Supreme Court case against Jerry Falwell, well-publicized and romanticized in The People vs. Larry Flynt, parody was legally guaranteed protection under the First Amendment. If you were a public figure or celebrity, you were fair game to be copied, no matter how unflattering the terms. This meant that lawsuits for defamation and loss of revenue, etc. are much harder to prosecute now – Tiger Woods will just have to deal with “Tiger Woods" banging a golf groupie on the ninth hole, for instance, as part of the price of his fame and glory.

The other issue is the sheer mass of porn out in the pornosphere. Again, thanks to the internet, there is a daily flood of amateur sex tapes, pro and semi-pro performers, and hundreds if not thousands of independent entrepreneurs who have inundated the market with product. Just looking at the DVD market, last year there were around 19,000 videos released. That’s about 50 a day. Making any flick stand out enough to capture a big enough audience to bring the big profits everyone seeks is difficult. So the industry is returning, once again, to parody to try to catch some attention. Luckily, the American porn consumer seems to like what they see.

The big difference between the porn parodies of 2010 and their predecessors is the attention to detail the producers are lavishing on the productions. Since the internet makes everyone an honorary nerd, half-assed productions that didn’t do justice to the original shows they were parodying won’t cut it for the fans. You can’t just throw a blonde, a brunette, and a straight-guy-pretending-to-be-gay in any old apartment set and expect Three’s Company to emerge. With that in mind, porn parodies today take great pains to not only ensure smokin’-hot sex, but also to casting reasonable doubles for original cast members, into building similar, if not identical, sets to the originals, and including elements in their storylines that borrowed heavily from what made the original show popular.

Take This Ain’t Star Trek XXX, for example. When director Axel Braun wanted to make the flick for Hustler, he knew he couldn’t half-ass it – Trekkies would revolt (or worse, not buy it) if it wasn’t a reasonable facsimile of the show. And as one of the most widely (and poorly) parodied TV shows of all time, fans were used to seeing their hallowed show brutalized not by raw sex, but by inaccurate translation to the screen. So Braun wisely paid meticulous attention to the construction of the bridge set and the casting of the show. He even convinced star Evan Stone to cut his signature long flowing hair for the part. He made certain that there was a reasonable stab at the plot, encouraged Stone to over-act ala Shatner, and included enough in-jokes to please the rabid fans. (It didn’t hurt that he also cast superstar Jenna Haze in the role of a hot alien chick, Jada Fire as Uhura [who else?] and Aurora Snow as a comely yeoman. YUM!)

The result? A credible homage to the show, strong sales, and a hit sequel.

The This Ain’t Married With Children XXX parody was another strong hit. Featuring new “it girl” and contract star Kagney Linn Karter, it delightfully re-created the stereotypical set that we all grew to love in the 90s. The first installment was so popular that it got the actor who played Bud Bundy in the original, David Faustino, to take a secret tour of the set during the filming of the sequel (considering his character’s propensity for our industry, it’s too bad he didn’t stick around and do a little commentary for the behind-the-scenes, but . . . ).

There are . . . less well-done parodies, as well. The less said about them, the better. That being said, there are some dreadfully-painful-but-still-hot-and-entertaining parodies out there . . . Star Wars fans were shocked by the treatment Private gave to their award-winning Porn Wars trilogy, including as it did heavily-accented Euros, dogfights between rip-offs of Virgin Galactic’s Space Ship One, and clumsy lightsaber battles. But they still bought it, out of morbid curiosity, and they weren’t disappointed by the sex. It helped that it was parodying the less-popular prequel trilogy, rather than the venerable classic -- but the original Star Wars hasn't been spared the porn treatment one bit. And that’s the great thing about parody – even when it’s dreadfully bad, it can still be good.


NEXT: Part 3: Why is parody so damn popular right now?

Wednesday, April 7, 2010

Porn Parodies: A Recent History (Part 1 of 3)


The explosive popularity of porn parodies in the last two years has been staggering, and several folks have asked me to address this since I'm the Big Time Porn Guy And All Around Sex Nerd. Are they worth watching? Are they any good? I've had dozens of inquiries about them, and so I decided to look at the porn parody phenomenon in detail.

After enduring an artistic (and commercial) bout of ennui, the industry hit upon its “next big thing” after the release of Hustler’s Who’s Nailin’ Paylin?, perhaps the most influential porn video of 2008-9. While the actual trend towards parody had begun a year or so before, arguably with That 70's Ho or This Ain't The Munsters, the fact is that Hustler’s Larry Flynt, the Godfather of the porn industry, mixed traditional parody with political satire when he found a perfect porn double of Sarah Palin, the deliciously MILFy brunette Lisa Ann, and rushed a well-done flick to market mere weeks before the election. Buoyed by nation’s partisan feelings at the time, the genuine lust for the intrepid GOP VP Candidate in the souls of American men of both parties, and an uncanny instinct for innovation, Hustler nailed it with Who’s Nailin’ Paylin? While actual sales figures are unknown, I have it from a reliable industry source that they’re at least in the six digit range – and not the low end.

There’s nothing new about porn parody. It’s a perennial favorite, a well of creativity to which the industry has returned again and again. Its popularity has always been the same: to see popular and familiar entertainment augmented by sex. Often (inadvertently) funny, sometimes erotic, the degree to which porn parodies have been commercial successes has often depended as much on the public mood of the time as upon the length and degree to which the producers and directors are willing to go to adhere to the show or movie which inspired it. Fear of legal action by the original show’s cast and producers, the expense of essentially re-creating the elements of a show, and (quite frankly) the limited pool of talent upon which the industry had to choose from made parody a hit-or-miss thing, at best.

There have been really bad porn parodies (Spermbusters, a weekend wonder homage to the Bill Murray flick, remains a stain on my brain) but also some really notable porn parodies in the past – a personal fave is the 1976 ode to Charlie’s Angels, A Coming of Angels. Apparently aping a T&A drama wasn’t too much of a stretch for the industry at the time. But that factors into the equation, as well. With the explosion of VHS in the 1980s into the mainstream market, and the reduction of the cost-of-entry due to the switch from film to far-cheaper video tape, coupled with the loosening of obscenity standards due to landmark legal cases, made low-budget “gonzo” style sex shoots much more profitable than expensive parodies, and new companies specializing in the quick-and-dirty business of four hour stroke-a-thons began leaving the more-traditional porn houses in the dust. Today there are only a handful of companies that even attempt to wrap any kind of story around their porn, and even those are often considered “loss leaders”.

Then came the Internets. Just when the industry was beginning to artistically stabilize in the early 1990s as the insanely profitable DVD market was peaking and attention started to turn once again to parody, the explosive popularity of the internet and the illicit pleasures available therein provided a whole new type of competition, even as it provided a vast new market. Only now, when the novelty of the internet has begun to fade, have the big production houses tried their hand at parody again – only this time, it’s different.

(Continued In Part 2)

Monday, March 8, 2010

Monday, March 1, 2010

For the collector: Alan Moore's Lost Girls



There’s porn and then there’s erotica, and which is which is definitely tied more to who you are and what you like than any objective standard. Some say it’s only porn if you have your dick in your hand – but that covers a lot of territory, especially for some people. Erotica can be hung in a museum and paid a lot of money for, or bound in leather and paid a lot of money for, or released in an exclusive collector’s edition DVD box set and paid a lot of money for, whereas porn is cheap, if not free, these days.

But there are places where the two overlap – where the possession of a piece of porn is artful enough by design to be erotica. One such case is the divinely illustrated Lost Girls trilogy, in which comic book icon Alan Moore (League of Extraordinary Gentlemen, V For Vendetta, The Watchmen, From Hell, Swamp Thing, et. Al.) scripts a delightfully dirty examination of the sexuality of three fairy-tale heroines (Wendy, from Peter Pan, Dorothy, from the Oz books, and Alice from Alice in Wonderland) at different phases of their life, all meeting by happenstance at an Austrian hotel on the eve of WWI.

I couldn’t do it justice to describe the tale in detail – the art is a gorgeously rendered, simply drawn sensual explosion like an erotic opium dream by Melinda Gibbie, and Alan Moore’s language makes love to your brain – but it warrants a firm “Check It Out!” as one of the erotic artistic high points of this brave new century. It also warrants a warning for the sexually conservative: the tale isn’t completely “sex positive”, it’s unabashedly dirty. There are strong and suggestive themes of coercive sex and sex with children, but considering the context and the masterful presentation such issues are expository, not exploitive. There is a heavy element of fantasy, here, both sexual and mythic; those who believe that sexual impulses spring full-formed from your groin when you turn 18 and not before will be disappointed.

Whack to it or put it on your coffee table, this is a must-have piece of erotic literature for the serious collector.